Capac finally looked down. The Sisis were swarming his blood, never straying from its path for very long. But while he was not surprised that his blood had not formed a straight trail, he was utterly astounded at the shapes it made now. The Sisis themselves seemed to be relocating the red liquid, digging at the dampened dirt through which the blood had already disappeared and shoving it into odd loops and scratches. … More The Flood Thieves Chapter 3: Two Trails of Blood
The child turned around and dove into the foliage as Chroma frantically followed. The shouting behind them faded almost instantly as Chroma followed the child’s path through the growth, slightly uphill. Finally, between the brown and green brushes snagging at her body and hair, they came to a grove overtaken by the shade of the canopy of a single large tree. The ground was flatter, and Chroma had no trouble sprinting after the child as it deftly leapt between the gray, low-hanging branches to reach the safety of the bows. Chroma clambered up with ease and then held still as the child covered her mouth with a single, tan hand. … More The Hundred Foot Drop of Klima — Scene 5
Though distorted by the flowing water, Patcha’s eyes grew wide when she saw that they were the same characters of the system she had invented. She read the symbols, and pronounced, “Past, Protection, Change.” … More The Flood Thieves Chapter 2: A Net of Fears
I’ve dedicated nearly my whole life to becoming a voyager, and in the last few years it looked like I could even be on the First Contact voyage. Sailing uncharted waters with a competent group of adventurers. But no, apparently the system doesn’t work like that. They didn’t put the best travelers out there first. No, they put the princess and the translator who can’t even show up on time. Do you honestly think you were in the advanced class because of your skills? Or that you’re here because you deserve it? No. You’re here because you just so happened to be born into the family that violently conquered all of Cambia. … More The Hundred Foot Drop of Klima — Scene #4
“Red Spirit…” she cursed. “It’s a spirit!” Making sure that her family was not awake, she slipped both legs out of the window. She wouldn’t be able to lock the door downstairs from the outside, and she couldn’t leave her family vulnerable to Soikles — this was the only remaining way out. She maneuvered down the path her sister always took to sneak out at night during the Southern Season and swim in the river. She slipped clumsily and crashed to the ground, her elbone digging into the soft earth. She yanked it out. The Qhilla was now all the way in between the homes adjacent to hers; this was no ordinary creature. Patcha ran after it, and found herself hard pressed to keep up. Every now and then, she would blink, and it would be lost from sight.
She was some ways out of the village and uphill, toward the temple, when a nearby holler met her ears. She faltered for just a moment, and the Qhilla vanished. She cursed, knowing that she had to help instead of following the spirit. She shot off in the direction of the cries. It wasn’t long before her blood ran cold at the sight of Soikle tracks among the shrubbery.
A boy was cornered on the foundation of an abandoned store house. He had a sling, useless to him at such close proximity, slung over his right shoulder. He instead used his gloved left hand to wield a traveling stick coated in frost. The pack of tiny Soikles, each no larger than a Meesee, seemed to have just cornered the cloaked young man, who retreated as far back as he could on the foundation before reaching a wall. He leaped forwards again as some of the Soikles attempted to climb the base with their hairy black legs, swatting them with his icy staff to keep them away. … More The Flood Thieves Chapter 1: The First Record
“They follow the orcas following the whales,” Gane finished. “Do we know how far behind they’ll be?”
“Dol says no one’s sure. It’s never happened before, and communication isn’t easy when visitors can’t speak.”
“Mmm,” Gane hummed. “Tell everyone we’ll be staying here until the Cambians arrive. Forage and hunt, but on the seaward side of the mountains.”
“Gane, what about the girl? Shouldn’t we keep searching for her?”
“If the girl escapes, we can manage. But if we allow the Cambians to reach the town? Unequivocal disaster.” … More Old “Alloland” Draft — “The Hundred Foot Drop of Klima” Scene #3
While at my parents’ place, I happened to glance over at what remains of our old VHS collection, and saw the 1973 Hannah-Barbara adaptation of Charlotte’s Web. I realized that I’d never read the book, and hadn’t seen the movie in what must be over ten years.
So here we are.
I read the book and watched ALL of the film adaptations of the book. How do they compare? … More Charlotte’s Web (1952 , 1973 , 2003, and 2006)
Last week, I published a longer piece on the discovery vs outline writing debate. In that article, I mentioned that I “lean towards” discovery writing. That got me thinking: what does “lean towards” mean?
Plenty of writers and bloggers have covered the topic before: does “discovery writing” exist? If so, which is better, discovery writing or the traditionally taught “outline writing”?
This blog is not about those questions. It’s about the discourse that writers, readers, and English academics have been exchanging, how toxic it is, and why such a seemingly inconsequential debate is getting so heated.
For the Uninitiated:
For those of you who aren’t caught up on this fiasco, “discovery” and “outline” writing refer to differing ways of creating a plot. Outline writing is what you most likely learned in K – 12: to write a story, you first create an outline, and then you start slowly connecting those dots as you write. “Pure” outline writing would be outlining a story down to the last paragraph. You can make revisions, of course, but a true outline writer finds it difficult to get started without knowing where they’re headed. Even if the plan doesn’t survive contact, a plan is still necessary. Discovery writing is simply the absence of an outline. Pure discovery writing would be creating characters, picking a premise, and then just seeing what happens.
Some big names are on either side of this debate. Stephen King is adamant about the power of letting characters make their own decisions, and not shoehorning them into a particular plan (Source: “On Writing”). J.K. Rowling, on the other hand, says that outlining and planning is the most vital thing for a good story (Source). Brandon Sanderson — author of the Mistborn series, The Stormlight Archive, and the last parts of The Wheel of Time series — insists that both discovery and outline writing have their pros and cons (Source). … More Discovery vs Outline Writing
“We are gathered here to make history,” the woman announced, stepping forward. “I don’t need to remind you all what this graduation, and the graduates’ journey, entails, but it is our duty to keep you always mindful of the consequences.
“Being the first people to sail the sea in a thousand years was no small feat, nor was being the first civilization to make contact and establish relations with the endless others out there. But we paid a price for our openness with others, and now we aim to pay our debt and stave off the threat of the March. What will be truly impressive is finding the solution out at sea. Allies willing to defend, hosts willing to take settlers, scientists willing to share technology…” She let the words hang in the air. “The possibilities are limitless, but urgent.” … More Old “Alloland” Draft — “The Hundred Foot Drop of Klima” Scene #2